How does Willis’s dream change by the end of the book? Why does the role of “Kung Fu Guy” no longer hold the same allure for him? “Ever since you were a boy, you’ve dreamt of being Kung Fu Guy,” Yu writes early in the book.How are actors of different races, such as Turner and Willis, pitted against one other in this book? I’m a category,” Miles Turner tells Willis. The cop show “Black and White” doesn’t always make sense, Yu writes, “But the template works, and you don’t mess with a working template.” Did it remind you of other television shows or films you grew up watching?.Yu writes that Willis’ parents “knew that behind them was a historical backdrop, that they were part of a prestigious project, with the sweep and scope of a grand American narrative.” How do their stories show the limits of the American dream?.At one point, Willis describes his father as “a leading man trapped in the body of an extra.” Why does it upset him to watch his father transition to the role of “Old Asian Man”?.

Were there moments where the artifice of the story stood out to you?

The book is written as a story within another work of fiction, interweaving the plot of a cop show with the experiences of Willis as an actor.

What did you make of the structure of the story, written as a teleplay?.

Have you experienced similar tensions in your own life?

Throughout the book, Willis Wu feels torn between his own identity and the roles he is pressured to fill as an Asian American actor.

WARNING: Spoiler alert on questions further down You can also submit your own questions for Charles Yu on our Google form.

Learn more about the book club here.īelow are questions to help guide your discussions as you read the book over the next month. Our February 2021 pick for Now Read This, the PBS NewsHour’s book club with The New York Times, is Charles Yu’s “Interior Chinatown.” Become a member of the Now Read This book club by joining our Facebook group, or by signing up to our newsletter.

The interior chinatown